If you have not yet seen This Astonishing Post you MUST go read it now. No time? Okay, I'll paraphrase it for you. The link takes you to BigAl's blog where he gave 2 stars to a self-published book he'd been asked to review, and then the author comments several times with angry diatribes, and comments that make it clear she has not understood what the reviewer was saying, before finally signing off with a pair of F*** Off!s. I encourage you to read BigAl's review when you have a chance because I think it's a fair and honest review of the book.
He called the story "compelling and interesting."
He also said "the spelling and grammar errors, which come so quickly that, especially in the first several chapters, it’s difficult to get into the book without being jarred back to reality as you attempt unraveling what the author meant."
Ouch, right? But a fair warning. He makes it clear that if you can get past these, you will find a compelling story, and he did in fact read the whole book, however, the difficulty he had reading it was one of the factors that lead to his low rating.
The author (who I will not name, nor will I post any of her writing samples for ridicule) took offense to the review and apparently misunderstood, or refused to believe that the reviewer was not talking about mere formatting problems within the ebook.
She made repeated negative references to the reviewers character and integrity, as well as his and many other commenters' intelligence.
In response, many commenters apparently went to amazon and rated her book, which previously had 4 and 5 star ratings, with one star.
It was quite simply, mortifying.
And it made me think. My first reaction was one of how can she be so angry? He said her story was good, just the writing wasn't up to par. But then I tried to put myself in her shoes. This was a book she'd put up for sale, as an example of her talent. And I remembered how the first few times I got a critique from one of my crit partners, I could only see the negatives -- the things that didn't work, the should've-been-obvious mistakes, the seemingly insurmountable amount of revision I was going to have to do even though I'd already worked so hard on it.
And then I felt kind of bad for the author.
She had a fairly natural reaction to a negative review, but rather than taking the time to process it, find the good, find the things she didn't agree with and let them go, she took it straight to the internet and sabotaged her reputation, and potentially her book sales and career by lashing out.
So today, I just want to remind us all (including myself!) to STOP, and BREATHE, and THINK before lashing out at those we have asked to help us. Remember that any crit or review is just one person's opinion, but also that there is almost always something worthwhile in a negative critique or review. You can't please everyone at once, but you can always improve.
And those of you going the self-publishing route, I think this author's experience is proof that you must be extra vigilent since you won't automatically have the eyes of a professional editor or copyeditor before your book goes out into the world.
Don't let defensiveness, pride, or hurt feelings keep you from making your book the best it can be!
Showing posts with label critique. Show all posts
Showing posts with label critique. Show all posts
Wednesday, March 30, 2011
Wednesday, October 27, 2010
Critique Your Critiques
This past weekend I was fortunate to attend KidLit Con 2010. Where the Merry Sisters of Fate (Maggie Stiefvater, Tessa Gratton, and Brenna Yovanoff) gave a presentation on critique groups.
First let me say that KidLit Con was AWESOME! Really well put together, lovely venues, and great panels. Every time I attend a conference I'm reminded how awesome it is to be in a room full of writers. When the time came for Q&A with the Merry Sisters, every single question asked was about writing!
They talked about many fascinating and insightful things, but the one I want to focus on today is a comment they made about getting a critique.
Maggie was talking about editor's notes, but it really fits for critiques from crit partners and beta readers as well. She said (I'm paraphrasing), sometimes you might get a note back saying "I don't like that thing with the pickup truck at the convenience store, can you do something else?" And she said what you need to know is, the editor (crit partner, beta reader) isn't really talking the pickup truck. They're responding to something in the scene that isn't working. So if you like the pickup truck you don't necessarily need to take it out. You need to figure out what about the scene isn't accomplishing what you intended. You need to, in effect, (and this is me talking now) critique your critique.
Before you get all panicked and start slashing things, (or angry and defensive, whichever is your MO) really read over the entire critique and try to get a sense of what the critiquer is and isn't getting from your story. The things that tend to stand out to people are the things that are easily identified. So a reader might say "the pick up truck thing" but what they really mean is "I just didn't get why she suddenly went from sad to happy in that scene where he offers her a ride in his new pick up truck. It just didn't feel real to me, and it threw off what happened in the next scene."
These are the kind of comments the Merry Sisters work on together, and it's the kind of thing you can do on your own or with your cps. A lot of times a few in depth questions can help you figure out what's missing and what needs to be changed.
Before you start asking questions, be clear on what you want the scene to accomplish. Then work to figure out what it is and isn't accomplishing. The fix might be as simple as adding one line of dialogue or as huge as deleting the entire scene and starting from scratch. You might even find that what you were trying to get across isn't the best choice after all.
The thing I took away from the Merry Sisters' talk more than anything is when you get a critique that says something other than "that's brilliant!" Stop. Breathe. Read it, and then read it again. Take another deep breath, and then begin a dialogue either with your cp, or with yourself. Every crit is helpful no matter how basic it is. Try to find the useful bits and use them to make your ms shine.
First let me say that KidLit Con was AWESOME! Really well put together, lovely venues, and great panels. Every time I attend a conference I'm reminded how awesome it is to be in a room full of writers. When the time came for Q&A with the Merry Sisters, every single question asked was about writing!
They talked about many fascinating and insightful things, but the one I want to focus on today is a comment they made about getting a critique.
Maggie was talking about editor's notes, but it really fits for critiques from crit partners and beta readers as well. She said (I'm paraphrasing), sometimes you might get a note back saying "I don't like that thing with the pickup truck at the convenience store, can you do something else?" And she said what you need to know is, the editor (crit partner, beta reader) isn't really talking the pickup truck. They're responding to something in the scene that isn't working. So if you like the pickup truck you don't necessarily need to take it out. You need to figure out what about the scene isn't accomplishing what you intended. You need to, in effect, (and this is me talking now) critique your critique.
Before you get all panicked and start slashing things, (or angry and defensive, whichever is your MO) really read over the entire critique and try to get a sense of what the critiquer is and isn't getting from your story. The things that tend to stand out to people are the things that are easily identified. So a reader might say "the pick up truck thing" but what they really mean is "I just didn't get why she suddenly went from sad to happy in that scene where he offers her a ride in his new pick up truck. It just didn't feel real to me, and it threw off what happened in the next scene."
These are the kind of comments the Merry Sisters work on together, and it's the kind of thing you can do on your own or with your cps. A lot of times a few in depth questions can help you figure out what's missing and what needs to be changed.
Before you start asking questions, be clear on what you want the scene to accomplish. Then work to figure out what it is and isn't accomplishing. The fix might be as simple as adding one line of dialogue or as huge as deleting the entire scene and starting from scratch. You might even find that what you were trying to get across isn't the best choice after all.
The thing I took away from the Merry Sisters' talk more than anything is when you get a critique that says something other than "that's brilliant!" Stop. Breathe. Read it, and then read it again. Take another deep breath, and then begin a dialogue either with your cp, or with yourself. Every crit is helpful no matter how basic it is. Try to find the useful bits and use them to make your ms shine.
Monday, May 10, 2010
Screenwriters! Do The Write Thing For Nashville!
If you haven't already you need to check out Do The Write Thing For Nashville!
Authors, agents, and editors are donating their, books, time, and advice to raise money to help with flood relief in Nashville! You can bid on critiques, signed books, phone calls with agents, and all kinds of cool things!
I'm even donating a full feature-length screenplay critique a copy of The Writer's Journey by Christopher Vogler
AND a signed copy of Thirteen Reasons Why by Jay Asher!
Authors, agents, and editors are donating their, books, time, and advice to raise money to help with flood relief in Nashville! You can bid on critiques, signed books, phone calls with agents, and all kinds of cool things!
I'm even donating a full feature-length screenplay critique a copy of The Writer's Journey by Christopher Vogler
AND a signed copy of Thirteen Reasons Why by Jay Asher!
PLEASE help get the word out! If you don't write scripts, there's plenty of other good stuff available, and if you know someone that does have a screenplay in need of critiquing, please tell them about the auction! It ENDS WEDNESDAY MAY 12!
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