Everybody's Got One

A secret that is. Everyone’s got a secret. What were you thinking?

One of my favorite filmmaking tips is as the director, to give each actor a secret about their character. One they can’t share with anyone, but will inform everything they do in every scene.

Secrets can add depth and subtext to a scene that might otherwise be merely functional, or ordinary. For (a poor) example: A character who is hiding a fear of heights, might try to convince his crush not to hike up to a popular make out spot on a cliff despite wanting desperately to make out with her.

While it works really well in film where we can both see an actor’s face, and hear their change in tone when responding to an innocuous request, I think it can also work well in a novel.

You probably already know your main characters darkest secrets, and maybe even some of their love interest’s or antagonist’s, but what about everyone else? This ties in with my previous post “Why Are You Here?” about every character having a reason to be where they are in every scene.

In this case, having a secret can help give conversations between characters more depth and realism. If you know a character’s secret, it will color everything they do and say. It will make the world feel more real, because the people in it are real. It might even change your main character’s or the reader’s opinion of the character, and that can be used to your advantage when working on stories with mysteries. (And I believe every story should have a mystery, even if it’s not a mystery story, but that’s a whole ‘nother post!)

I would bet that if you’ve gotten pretty far into writing the book, that most of your characters already have a secret, you just haven’t picked up on it because you’ve been too busy forwarding the story. If you’re just starting your book, or you haven’t seen your characters dropping any hints, try giving them one and see if it perks up one of your lackluster scenes, or changes the way your characters view each other. You might just make a discovery or two!

What about you, do you give your characters secrets? What are some of the ways you add subtext and depth?

How Do YOU Count?

Recently I was talking to a fairly prolific writer friend and commented that while she had written two books and edited a third last year, I had only managed on 7k word short. She was horrified. She went on to say how many thousands of words she'd written and deleted in that time and estimated that just those alone would be another full-length novel. And that was when I realized that I count much differently than most writers.

I only count what I consider "finished" and "successful". And so while I revised my first book twice, throwing out the bulk of it and rewriting from scratch, and while I made several starts on my next book, and another 15k or so of figuring out my anthology short, filled a 100 page notebook with detailed plot and character info, not to mention all my Tangled Fiction stories, I only had one thing make it to its intended destination. My 7k anthology short, STILLWATER.

It honestly never occurred to me to consider all the things I wrote that have not yet become something as something I wrote, LOL. But now I'm starting to wonder if I'm not giving myself enough credit. I suppose if I were to put it all together, I actually did write over 100k in 2011. I just never thought of it that way. Maybe I should, since each word I write, makes me a better writer. And looking at it the way I have been makes me feel more like an underachiever.

So I ask you, how do you count? And does it matter to you how much writing you've done? No matter where it goes? (Or doesn't go?) I'm really curious!

My NaNoWriMo Process

It's almost that time again, can you believe it? NaNoWriMo starts November first. And after taking last year off, I've decided I have a goal I want to meet, and NaNo is going to help me do it. I'm just getting started with my prepping (well, sort of), so I thought I'd share my process.

Here's what I personally need in order to have a successful NaNoWriMo experience:

- A Notebook (I like Mead 5-star college ruled, because I'm particular like that.)
- SCRIVENER (They have a 30 day free trial! Perfect for NaNo.)
- Write Or Die (I have the desktop edition, but you can also use it for free online.)
- A set block of writing time each day.

And of course, none of this is even remotely helpful without an idea. Which I have.

So, how do I use these things? I've found that NaNo only works for me when I know exactly what I'm writing. (And by "exactly" I mean, I know what my story is about, the basic plot, and usually the beginning and end - all of which may change once I actually start writing.)

I am not an outliner, but what I do is in the months leading up to NaNo, I fill a notebook with plot ideas, scene ideas, and character info. It's a lot of rambling, but it is SO helpful. And I find that handwriting this, rather than typing it, helps in a couple of ways. One, it feels very free. I'm just playing around. I'm not officially attempting to write a book, which is of course, scary, and difficult. Two, I find that when hand writing, I remember things better, and I tend to sort of ask and answer questions, which helps to flesh out my idea.

Once I've done that, if there's still space in that notebook, I write down a brief description of every scene I know is going to go into the book. If there's not room, I start with a brand new one, because brand new notebooks make me happy. I use this list as my jumping off point for NaNo. I find that if I have a chunk of things that I know I'm going to write, it feels much less scary getting started. Usually these scenes skip over many events I haven't figured out yet and sitting down to write them helps me figure out the rest. (Once I'm on a roll though, I try to save any pre-planned scenes for those days when I feel like I can't possibly write at all.) Also, I find it satisfying to open up that notebook each day and see whch scenes I've already written, and how far I've come. When I get new scene ideas I will also jot them down in the notebook just so that I have them and can cross them off when they're written.

And that means that yes, I'm one of those crazy people that sometimes writes out of order. This is where Scrivener comes in! With Scrivener I can organize as I go. I make each scene I write a separate file in Scrivener which makes dragging them around in index card mode (or just regular binder view) very simple. I also make notes on each scene in the "Documents Notes" section that let me know what information I haven't figured out yet, or what effect this scene has on what I've already written.

So how do I get those scenes written? I like Write Or Die. (Write Or Die is a writing app that you type in. It counts your words and prompts you with flashing colors and awful sounds, and even deleting your text if you're brave enough to use kamikaze, whenever you stop typing and start staring into space.) I usually set it at 40 minutes and 1000 words on "Normal". I find if I have a general idea of the scene I'm writing, I can keep writing all the way through, and often I will go over the 1k, or I will write more than one scene to reach that 1k with time to spare. When I'm less certain about what I'm writing, I'll do 500 words and 20-25 minutes. The prompting from Write Or Die is usually enough to kick me back into writing. I find that I can get more done by not stopping and trying to find the absolute perfect word. And a lot of times I discover that by having to write something, I end up figuring things out I would've spent hours pondering.

And that brings me to my final necessity. Time. I have to set up a specific time each day where I do this writing. I like first thing in the morning. I will sit down at the computer with my coffee, and my ideas fresh from sleep and just type those 1666 words until I'm done. I don't go over what I wrote the day before first, although usually I'll wake up with thoughts on what to do next fresh on my mind. And I find if I address those first, I'm more focused than if I've checked my email, and read blogs, and seen what's going on on twitter. I'm not normally this disciplined, but it's something about the idea that it's just for one month, that allows me to do this.

And that's my approach to NaNoWriMo. How do you NaNo? Do you find it easier to focus during that month than other times of the year?